With a career spanning more than 50 years, Gary Willis has released 5 solo CD’s, 10 as co-leader of Tribal Tech and has been a part of a multitude of other projects including playing alongside Wayne Shorter, Allan Holdsworth, Hubert Laws and many others. His own works include legends Dennis Chambers, Steve Tavaglione, Bob Berg, Gergo Borlai, Kirk Covington and Scott Kinsey.
January 10, 2024 Ibanez announced the release of the 25th Anniversary signature fretless bass (GWB25th). Featuring the unique “Silver Wave Burst Flat” finish as a call back to the very first silver-metallic custom instrument that started their partnership. The silver finish fades to a black silver-stained ash body and the ramp gets the same gorgeous finish. To compliment the mono-crhomatic theme the hardware is mostly black with chrome accents on the bridge and tuners. Based on the GWB205 model, it includes the custom Bartolini pickup (radiused to match the fingerboard) and slightly modified NTB2 electronics. The ebony fingerboard ensures a warm sound but you can still use round wounds on it.
The 20th Anniversary Gary Willis signature model fretless bass (GWB20th) was released in January 2019. Featuring a “Tequila Sunrise” sunburst finish, the bass is constructed with an ash top, basswood body, a sunburst finished ramp and headstock as well as the unique Sure-grip tuners that have graced the Willis signature line since the beginning. Also new to this limited edition version of the GWB is the Aguilar DCB pickup and OBP-2 preamp. The bass has evolved over the years with subtle improvements and has expanded to offer three different models, the GWB35, GWB205 and the GWB1005. The GWB20th limited edition release was celebrated at the annual Bass Bash event (Jan. 25th, bassbash.com) during NAMM week in Anaheim, California

His latest CD, “Larger Than Life”, morphed into a half-decade project that spanned 3 continents and 9 time zones. Celebrated as a “delicious collection of fusion-funk for the twenty-first century”. Larger Than Life’s 12 tracks feature Gergo Borlai on drums, long-time Tribal Tech band mate Scott Kinsey on keyboards, Steve Tavaglione on saxes and EWI, Claudia Bardagí on voice and Llibert Fortuny on tenor sax and voice.
With “Retro” (2013) Willis returned to his jazz roots with a trio featuring the incredible Gergo Borlai on drums and the acclaimed Catalan pianist Albert Bover on keyboards. A mix of vintage Jazz with the energetic twist that Willis always brings as well as a melodic side that has been seen in smaller doses throughout his career.
2012 saw the release of “X” by the supergroup Tribal Tech that came to light after a 12 year hiatus. “X” documents the final trip of this prolific musical jazz fusion group known for its spirited arrangements and interactive improvisation. Getting the kind of synergies that materialize in a masterpiece like “X” is only possible when one has a rich musical history forged by virtuoso musicians.
His Triphasic collaboration with Llibert Fortuny released “Shaman” in 2009. The eclectic-electric trio featured Fortuny on tenor sax, electronics & vocal effects and David Gomez on drums and electronic percussion. Their explorations focused on bringing a synchronized visual experience to the trio’s live performances. This new development had Willis occupying the VJ controls at the same time navigating the electronic sequences that the band improvises to.
In 2007, Willis released “Actual Fiction”. Reviews describe that it’s “everything you’ve ever liked about his work with Tribal Tech and leaps forward a few light years while being wide open from the very first note and will test your neck vertebrae with the powerful rhythms all through this recording.”
Also in 2007 Willis released the avant-jam-trio “Slaughterhouse 3”. Allaboutjazz.com describes it as “Undoubtedly funky and at times lyrical, the music on Slaughterhouse 3 is also nicely edgy, exploring some dark and heavy musical avenues. Willis, Covington and Fortuny all excel on a fascinating album which will hopefully be only the first of further collaborations together.”
Willis launched his solo career with the September 1996 release of “No Sweat”, featuring incredible performances by Dennis Chambers on drums, Scott Kinsey on keyboards, and Steve Tavaglione on woodwinds and EWI. For the 1998 follow up “Bent”, in addition to Chambers, Kinsey and Tavaglione, Willis added the fiery tenor of Bob Berg and long time Tribal Tech cohort/drummer Kirk Covington. Bent lives up to its title and takes the “rules” of jazz, through dynamic compositions and rhythm-defying improv, and bends reality to fit the talent of these monstrous musicians. Despite its all-star cast, any listener expecting the self-indulgent “chopfest” is instead treated to great musicians playing tastefully, musically and unselfishly.
As a regular contributor to scottsbasslessons.com Willis conducts regular Mentor Streams, LiveClass Streams, other video series as well as his Masterclass video. In 2014 Willis joined the faculty of Berklee Valencia teaching masters in Contemporary Performance as well as students in the Study Abroad and First Year Abroad programs. The Texas native studied arranging and improvisation as part of the legendary jazz program at North Texas State University. After moving to Los Angeles in ’82 he became a course leader at Musicians Institute in Hollywood and also taught at California Institute of the Arts in Valencia, California.
In demand as an educator, Willis has conducted clinics and master classes in over 22 different countries. As an author he’s published 4 books with Hal Leonard. “101 Tips for Bass” provides valuable how-to insight that bassists of all styles and levels can benefit from. “Fingerboard Harmony for Bass” takes the mystery out of the fingerboard by exploiting the natural geometry and symmetry of the instrument. Bass Player magazine calls “Ultimate Ear Training for Guitar and Bass” an “excellent method to help you develop your ears and connect them through your hands to your instrument. “The Gary Willis Collection” features 11 transcriptions of original Willis tunes, including the contemporary classic The “Necessary Blonde” which is one of two compositions also included in Sher Music’s “The New Real Book-Volume Two”. Two other compositions from his solo recordings are also featured in the ” All Jazz Real Book”, “It’s Only Music” and “The Everlasting Night” also from Sher Music.

Gary Willis inspired design and functionality

The Ibanez GWB35 Gary Willis signature model bass brings all of Gary’s personal tweaks and touches to an affordable bass. Gary’s extended cutaway gives you complete access to the fretboard to ensure better intonation in the higher frets. Custom wound pickups offer the quick attack, superior dynamics, and highs that you want from a fretless bass. A custom finger rest/ramp helps you not dig into the strings too deep and gives you a more consistent attack.

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Puts signature Ibanez feel into an affordable package

Finally, the feel of a high-end bass loaded into an awesomely reasonable priced package. The Ibanez GWB35 sports Ibanez’s signature Gary Willis neck shape for an amazing playing feel. It’s got a 3-piece maple neck, a comfortably contoured basswood body, and a fretless ebony fingerboard for classic fretless bass sounds.

Versatile electronics for any style of music

Ibanez basses are used in every style of music from metal to rock to jazz fusion. The versatile pickups and active electronics let you shape your tone to best fit the gig. The Ibanez Gary Willis GWB35 features a custom humbucking pickup to deliver tons of deep bass tones that will cover any style of music you need. A simple active EQ lets you tweak the treble and bass to dial in your ideal sound. From the scooped mids for slapping and popping to massive low-end 5-string rumble the GWB35 can do it all.

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